Jan 20, 2026 · 54:33
Jennifer Lawrence on Good Hang with Amy Poehler
The Hang, in Short
Justine Shuraki, Jennifer Lawrence's longtime friend and producing partner at Excellent Cadaver, tells Amy that her first impression of Jen was "a wild beast" with zero self-consciousness. Everyone was wide-eyed. That abandon never left her, even through the surreal lifestyle. Justine and Jen grew up together in their small LA apartment, discovering everything from Wong Kar-wai to Sex and the City, building the taste that now shapes what they produce. They made Causeway together, that stripped-back performance where Brian Tyree Henry and Lawrence play wounded souls returning home. Justine admits she still loses her mind watching Jen act on set, every single time across 11 films. Her question for Amy to ask? Skip the usual stuff. Let Jen declare what she actually wants to talk about for once.
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Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. Very excited about
- 0:08
our guest today, Jennifer Lawrence. Jen
- 0:11
and I, we have a good time and we laugh
- 0:13
a lot in this episode and we talk about
- 0:15
a lot of great things. Her incredible
- 0:17
career, the surprising parts of
- 0:19
Parenthood, um her long torso, my short
- 0:22
legs, um and we do what we always like
- 0:24
to do here in Good Hang. We sing along
- 0:26
to Shaniah Twain. But before we get
- 0:28
started, we want to talk to somebody who
- 0:30
knows our guest, who can speak well
- 0:31
behind her back and give me a question
- 0:33
to ask this guest. And we are joined by
- 0:36
Justine Shuraki. Justine is a producer.
- 0:39
She runs Excellent Cadaavver, the
- 0:41
production company that's produced uh
- 0:43
films like Causeway and Die My Love. And
- 0:46
uh her and Jen have been friends
- 0:47
forever. So Justine, are you there?
- 0:50
Let's get started.
- 0:57
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- 0:59
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last.
- 1:38
>> Hey girl.
- 1:39
>> Hi. I'm really happy to talk to you
- 1:41
today because I mean I think the stuff
- 1:43
that you guys have done together is
- 1:45
really really special but also you just
- 1:47
shared a long history together as people
- 1:49
in the world and friends.
- 1:51
>> Well that's very generous of you to say
- 1:52
and obviously we've been enormous fans
- 1:55
for hundred years. So it's like such an
- 1:57
honor to talk to you and I'm like
- 1:59
pinching myself and she is too that
- 2:02
she's coming on the podcast. So
- 2:03
>> oh my god she's so good at podcasts. I
- 2:05
mean she's so good at talking.
- 2:06
>> That's that's her [ __ ] for sure.
- 2:10
Now, um, before we start talking about
- 2:13
Jennifer, I do want to talk about you.
- 2:15
Where did you grow up?
- 2:16
>> I grew up in Wilmington, Delaware.
- 2:18
>> I actually think we have Aubrey Plaza in
- 2:20
common. And I grew up with Aubrey and
- 2:22
did community theater with her.
- 2:23
>> You did your childhood? Yes. Yes.
- 2:26
>> You guys went to the same school? Like
- 2:28
you were in the same town? Yeah,
- 2:29
>> we went to the same elementary school
- 2:30
and we both um were in community theater
- 2:34
at the Wilmington Drama League, an
- 2:35
esteemed venue for like most of our most
- 2:39
of our childhood.
- 2:40
>> Oh my gosh. What was Baby Plaza like?
- 2:44
>> Exactly the same as Adult Plaza.
- 2:47
>> Yeah.
- 2:47
>> Like hasn't changed a bit.
- 2:50
>> The greatest. The greatest.
- 2:52
>> That's so what a small world. And so the
- 2:54
two of you are like there doing shows
- 2:56
and and and performing and then where
- 2:59
where does that take you after you
- 3:01
graduate?
- 3:01
>> I didn't really know where I would fit
- 3:04
in film and so I you know took a bunch
- 3:08
of odd jobs and and explored and during
- 3:11
that period I met Jen.
- 3:12
>> And what was your first impression of
- 3:14
her when you met? My first impression of
- 3:16
Jen was that she was a wild beast.
- 3:19
>> Mhm.
- 3:19
>> And also that she had
- 3:22
because Jen didn't have like a
- 3:24
traditional
- 3:26
education, she also swerved a lot of the
- 3:29
like social anxiety that I think a lot
- 3:31
of people our age had been plagued with.
- 3:34
So Jen had this like abandon and lack of
- 3:38
self-consciousness that was really
- 3:39
unfamiliar to all of our friends. So, we
- 3:43
were sort of like wideeyed by her. And I
- 3:45
think that that's something that she
- 3:47
still possesses all these years later.
- 3:49
It's something that she hasn't outgrown
- 3:52
or, you know, she's she's never
- 3:54
Yeah. She's she has not become jaded by
- 3:57
her totally surreal lifestyle.
- 3:59
>> So, how do you go from two young women
- 4:02
like sitting on a couch in a small LA
- 4:04
apartment to running this big company
- 4:06
and making these big movies? Like, how
- 4:07
does that work?
- 4:08
>> Oh, man. I mean, it's it's a loaded
- 4:11
question. I think that we
- 4:15
met as young women and obviously
- 4:19
developed our taste together. We were
- 4:21
discovering film together. Uh everything
- 4:24
from Wong Car y to Sex in the City, you
- 4:27
know, like it ran the gamut. And I also
- 4:30
think that we
- 4:32
became best friends. And so
- 4:36
what we we care about similar things.
- 4:39
We're moved by similar things. we have
- 4:41
similar reactions to life and what's
- 4:43
happening in the world and that really
- 4:46
is the basis for our decision-m around
- 4:49
what we take on as producers. So, I
- 4:51
think the obviously like extraordinary
- 4:55
happen stance of Jen, Jen's young
- 4:58
success and her being in this incredible
- 5:01
position to get things made and then Jen
- 5:04
and I continuing to like care for our
- 5:07
relationship and continuing to grow
- 5:10
together. And so I think the Odyssey has
- 5:14
involved a ton of hard work and care and
- 5:19
um
- 5:22
all the things you would imagine and
- 5:24
also us uh
- 5:28
continuing to grow and being excited to
- 5:30
elevate each other.
- 5:31
>> And I also I loved Causeway.
- 5:34
>> Thank you.
- 5:35
>> Such a beautiful movie. I want to talk
- 5:36
to Jenna about it. I just it's just a
- 5:38
great great movie. beautiful director,
- 5:41
Laya.
- 5:41
>> Oh, we love Y Laya.
- 5:42
>> Brian is so Brian Tyrie Henry is so
- 5:45
good. Jen is so convincing as the
- 5:48
character that she plays, like a a
- 5:51
physically and kind of spiritually
- 5:52
wounded vet who's returning home. It's
- 5:54
so good. Such a good movie.
- 5:57
>> It's it's it's always so nice to see Jen
- 6:00
in those roles where the the kind of
- 6:02
like stripped back, quieter performances
- 6:05
where it's like so much of it is just
- 6:07
happening in her eyes. You know,
- 6:09
>> I don't I mean I don't I don't know how
- 6:11
to act like that. Like I mean we were
- 6:14
kind of talking about we were talking
- 6:15
about interviewing her and we were like
- 6:16
and you know it's hard not to be like
- 6:19
you're so good at acting.
- 6:23
>> Well, she is so good at acting.
- 6:25
>> She she's she's good. That's pretty
- 6:28
[ __ ] good.
- 6:29
>> Like you just are there times when
- 6:30
you're watching her and you're like,
- 6:31
damn, she's really good at acting.
- 6:33
>> Every time. Every time. Like I I I've
- 6:35
sat on probably 11 sets with Jen and
- 6:37
every time my mind is just like blowing
- 6:39
out of my face. I'm like still like it
- 6:42
does not get old. She just levels up
- 6:44
every time.
- 6:46
>> Mhm. You know her really well. You know,
- 6:48
sometimes we we ask people to talk well
- 6:50
behind our guest back and they've worked
- 6:52
with them or they kind of know them. But
- 6:54
you have you know her really really
- 6:56
well. um you've known her for a really
- 6:58
long time and you're deep
- 7:01
partners in in in work and you're loving
- 7:04
friends in life and what do you think I
- 7:08
should ask her today? Um what do you
- 7:11
want to know about, hear about, or what
- 7:12
do you think she'd want to talk about or
- 7:14
a story she'd want to tell? Oh man, I
- 7:17
mean with Jen, it's funny because she is
- 7:20
so um like transparent in these spaces.
- 7:24
Like I don't think that she's somebody
- 7:26
who where there are like a ton of
- 7:27
subjects that are off limits.
- 7:29
>> Well, it's okay. This is really helpful
- 7:31
because I've been prepping for the
- 7:32
interview and I don't want to put her in
- 7:34
an uncomfortable position ever to ask
- 7:36
her something she doesn't want to talk
- 7:37
about, but she also feels really um well
- 7:41
aware of what she feels comfortable
- 7:44
talking about. I guess. Um
- 7:45
>> I think she is and I think she'll also
- 7:48
like tell you like I think that she I
- 7:50
think like she'll pivot if she needs to.
- 7:54
>> You never have to answer a question if
- 7:56
you don't want to answer. And it is and
- 7:57
it's a magic trick to not answer it. And
- 8:00
people often forget that what question
- 8:01
they asked.
- 8:03
>> I mean this isn't a good thing to tell a
- 8:04
guest. Probably this is probably not a
- 8:07
good thing to get. But anyway, do you
- 8:09
have It doesn't have to be a heavy
- 8:11
question. It can be something small.
- 8:13
anything that you think we should ask
- 8:14
her today?
- 8:15
>> I mean gosh, like maybe because she's in
- 8:18
a position of constantly being asked
- 8:20
questions and she is never in charge of
- 8:22
what is being asked. Like maybe it's
- 8:24
asking her like what would you like to
- 8:25
talk more about that you don't feel
- 8:27
>> Whoa, that's a good friend opportunity
- 8:30
to declare, you know, maybe maybe she
- 8:33
has a big announcement
- 8:35
>> or just something that she'd like to
- 8:37
like reflect on.
- 8:39
>> You know what? That's a really good
- 8:40
friend because what you're basically
- 8:41
saying is just check in with her and see
- 8:44
if there's anything else she wants to
- 8:45
talk about.
- 8:46
>> Yeah,
- 8:46
>> it's so true.
- 8:47
>> What she like is tired of talking about,
- 8:49
you know, that too.
- 8:52
>> Yeah.
- 8:53
>> What are what do you want? It's
- 8:55
basically like you're at the TSA and
- 8:57
it's like what do you want to declare?
- 8:58
>> Yeah.
- 9:00
>> And what and what perishables would you
- 9:02
like to get rid of?
- 9:03
>> Totally.
- 9:03
>> Yeah. Well, no, but thank you so much
- 9:06
and um I will give your best to Aubrey
- 9:08
Plaza. I like picturing you guys being
- 9:11
weird together in Wilmington.
- 9:13
>> Yeah, that's that's that's the right
- 9:15
picture.
- 9:16
>> Justine, thank you so much for your
- 9:17
time. Really appreciate it.
- 9:19
>> Thank you. Thank you for having me. Have
- 9:20
a question, Jen.
- 9:21
>> All right. Nice talking to you.
- 9:22
>> I have to watch. All right. See you
- 9:23
later.
- 9:24
>> Okay. Take care. Bye.
- 9:26
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- 10:28
>> Jen,
- 10:28
>> hi. My voice was so deep.
- 10:30
>> Hi.
- 10:31
>> Hi.
- 10:33
I'm very excited that you're here.
- 10:35
>> I'm so excited to be here. I am a
- 10:37
really, really huge fan.
- 10:38
>> Oh, come on.
- 10:39
>> I am.
- 10:41
>> Say more.
- 10:41
>> No, I'm obviously being sarcastic.
- 10:44
>> Well, I was worried about what to wear
- 10:45
today cuz your style is so dope.
- 10:48
>> Thank you.
- 10:48
>> You have great style.
- 10:50
>> Oh my god, that's the only thing you
- 10:52
need to say to me ever.
- 10:54
>> And what is your I want to know how do
- 10:56
you pick clothes? What is your
- 10:58
relationship to clothes?
- 11:00
>> Okay, thank you so much. um would love
- 11:01
to talk about this. I'll just
- 11:03
>> because I'm fascinated because I'm
- 11:04
struggling with mine.
- 11:05
>> Um I Well, I I have a I have very
- 11:08
opinionated friends. One in particular,
- 11:10
very opinionated friends. And we clear
- 11:13
out we I do I do a lot of closet
- 11:15
cleanouts. I think living in New York
- 11:16
helps with that.
- 11:17
>> I don't have a lot of excess stuff that
- 11:20
confuses me.
- 11:21
>> I have things that I really like.
- 11:23
>> Do you think about Do you plan your
- 11:25
outfits for the I mean, obviously with
- 11:26
press it's different. I mean,
- 11:28
>> plan your outfits for the week. I do it
- 11:29
like mentally. I like start kind of
- 11:31
planning something and I I take my kid
- 11:33
to school and I know that I'm going to
- 11:35
get photographed, right?
- 11:36
>> So, I I do kind of do like a mental
- 11:39
>> like
- 11:40
>> like what do I how do I want to present
- 11:42
today?
- 11:43
>> No.
- 11:43
>> NO.
- 11:46
>> Cuz cuz the answer is always the same.
- 11:48
Today I want to present as like
- 11:51
effortless but you know like
- 11:53
>> this girl, how did she get so what I put
- 11:56
on? Um, and you know what else is really
- 11:58
important to remember?
- 11:59
>> Tell me.
- 11:59
>> You can write it down.
- 12:00
>> I'm ready.
- 12:01
>> Big goes with big.
- 12:04
>> Okay. This is
- 12:05
>> And if it's going if it's going to be if
- 12:07
it's No, but if it's going to be if it's
- 12:09
going to be tight, if if you're going to
- 12:10
have a baggie and a tight, you cannot
- 12:13
ever have tight on the bottom, baggy on
- 12:15
the top, or you'll look like a lamp. You
- 12:18
can have baggy on the bottom and tight
- 12:19
on the top, but you cannot do the other
- 12:21
way around.
- 12:21
>> I'll tell you something about baggy on
- 12:22
the bottom. I wore baggy on the bottom
- 12:24
for you today. You did.
- 12:26
>> Yeah. I'll show you later. I I have
- 12:27
baggy pants.
- 12:28
>> Um I'm so short. It like It's tough.
- 12:32
>> Yeah.
- 12:33
>> It's tough. It's tough to go baggy on
- 12:35
the bottom. But
- 12:36
>> I have short legs but a really long
- 12:38
torso.
- 12:40
>> Yeah. And big thick meaty arms.
- 12:46
>> So, okay. So, long torso. I see. Then
- 12:49
that silhouette. You know your
- 12:50
silhouette.
- 12:51
>> I guess.
- 12:51
>> Yeah. And it's I mean
- 12:53
>> you got great style.
- 12:54
>> Knowing is not loving.
- 12:55
>> Dude, you got great style. I mean I and
- 12:58
I and and like you like I'm always just
- 13:00
looking to see how women are dressing
- 13:02
like not not like just truly like how do
- 13:05
we
- 13:06
>> not just the style.
- 13:07
>> I try to take mental notes.
- 13:09
>> Yeah.
- 13:09
>> When I see something I
- 13:10
>> And when I actually feel comfortable, it
- 13:13
feels like such a win to wear something
- 13:15
that you feel like you look good in and
- 13:17
you also feel good in. It's like a hard
- 13:19
thing.
- 13:20
>> Yeah. feel like you're like representing
- 13:21
yourself accurately.
- 13:22
>> Yeah. Yeah. Or the the worst thing is
- 13:25
like when you're like I think I nailed
- 13:26
it and you see the picture
- 13:28
>> years later. Not even years later. Oh my
- 13:31
god.
- 13:31
>> You're like I remember feeling really
- 13:33
good.
- 13:34
>> Yeah. I had that recently cuz I was
- 13:36
postpartum but I was like
- 13:38
>> but I but I had like in my with my
- 13:40
second I had like bad postpartum. So
- 13:41
like I wasn't eating. So I felt really
- 13:44
skinny,
- 13:44
>> right?
- 13:45
>> But I wasn't.
- 13:46
>> But inside you felt
- 13:47
>> I was like strapless. let's do this. And
- 13:50
my baby was like 3 weeks old.
- 13:52
>> I mean, you like a lot of people like
- 13:55
were working through a lot of your
- 13:56
pregnancies. And that's also a weird
- 13:57
thing, too, because you're like your
- 13:59
your body is kind of you're like
- 14:00
bringing your body along for the ride.
- 14:03
>> Well, I was surprised more people
- 14:04
haven't talked about how skinny I am and
- 14:06
I'm my love because I'm pregnant
- 14:09
>> and I've been waiting and nobody said
- 14:11
it. Nobody's like, "Wow, you were
- 14:13
pregnant. You looked so skinny." Like,
- 14:16
I've never had an ompic rumor.
- 14:18
Not yet.
- 14:20
>> Not yet. Not yet, honey. Not yet. After
- 14:23
this. After this, we're going to take
- 14:24
this frame and we're going to squeeze it
- 14:26
down.
- 14:27
>> No, but it it is true. It's like
- 14:28
>> when you talk about how tall I am, like
- 14:32
>> um No, but I I I love what you've been
- 14:35
talking about. We're going to We have so
- 14:37
many things to talk about today. And I
- 14:38
just want to start by saying this is
- 14:40
what I've gleaned from meeting you
- 14:41
briefly and and feeling like I and I
- 14:44
know people who know you really well.
- 14:45
and just like
- 14:46
>> who?
- 14:46
>> Um I don't want to talk about that.
- 14:48
>> Um
- 14:50
>> they ask you
- 14:52
>> I'm best friends with your mom,
- 14:57
>> but you seem And I know it's going to
- 14:59
sound cheesy, but you like women.
- 15:02
>> Oh, yeah.
- 15:02
>> I know. But I do.
- 15:04
>> You do. And it shows.
- 15:05
>> Well, what do you think? I like love
- 15:06
white men.
- 15:08
>> Oh my god. If I could just be their
- 15:10
champion. They're so misunderstood.
- 15:13
You're always LIKE, "WAIT, THINK ABOUT
- 15:14
THE other side."
- 15:15
>> Not all men.
- 15:17
>> I have that tattooed.
- 15:19
>> No, but you know, you you And the reason
- 15:21
why to me it's not what you say. It's
- 15:23
not what one says, it's what they do.
- 15:25
And what you do all the time that I
- 15:27
think women do for each other is you
- 15:29
like you tell the real real behind
- 15:31
something like you you you talk about
- 15:33
like this was difficult or I'm thinking
- 15:35
about this or like you basically I think
- 15:37
when people stay mysterious
- 15:40
>> it's like a disservice to other women.
- 15:43
It's just like okay, you know, and you
- 15:45
do this thing that I really appreciate
- 15:47
that comes through which is you're
- 15:49
trying to be honest in real time and
- 15:50
trying to connect. And I think that's
- 15:52
>> I think that's what women do for other
- 15:54
women when they like women is the best
- 15:56
way to say it.
- 15:57
>> And so like today when I was thinking
- 15:59
about our interview, I was like I've
- 16:01
been really hearing you talk about how
- 16:04
you're trying to figure out the balance
- 16:06
between who do I want to be and what
- 16:09
like what parts of me do I want to give
- 16:10
out to the rest of the world and what
- 16:12
parts do I want to keep for myself which
- 16:13
feels like very like 30s
- 16:15
>> thing. Where are you at right now with
- 16:17
the balance of that? cuz you are so
- 16:19
famous and so real.
- 16:21
>> Uh oh, thank you.
- 16:22
>> And those two things are not always the
- 16:24
case,
- 16:25
>> right? I think that I when I do press, I
- 16:27
should do half than what normal people
- 16:29
do cuz I see my quotes and they like
- 16:32
they're insane. Like like Jennifer
- 16:34
Lawrence calls Courtney Kardashian
- 16:35
annoying. Like it's just too, you know.
- 16:37
>> Yeah, it's You're right. It's it's but
- 16:39
it I
- 16:40
>> it carries.
- 16:42
>> It carries. But it's well, first of all,
- 16:45
honestly, it's funny because it's you're
- 16:47
so funny.
- 16:48
>> Thank you.
- 16:49
>> And the third piece of the puzzle I'll
- 16:50
say is that you're very you feel like a
- 16:53
real person. You're very
- 16:54
>> ironic.
- 16:58
>> You've had your hand on my knee this
- 16:59
entire interview. It's And it's a long
- 17:01
stretch. You have a really long arm.
- 17:03
>> These pants are baggy. Really get in
- 17:06
there. Um, no. You're you're you're
- 17:09
famous and uh
- 17:12
>> erotic. erotic and real and deeply funny
- 17:16
like genuine
- 17:18
that's like coming from you. You're my
- 17:20
hero,
- 17:21
>> dude. But I I don't say that to
- 17:22
everybody. And you know, God is fair.
- 17:24
Like usually you don't have all those
- 17:26
things going at once. Usually you have
- 17:28
like very like important, interesting
- 17:31
actor who's like really good at acting
- 17:32
but maybe like you know maybe not the
- 17:35
funniest or you have a deeply funny
- 17:37
person who you wouldn't maybe believe in
- 17:38
a scene but you can do both.
- 17:40
>> Oh, thank you. believe I could do this
- 17:42
all day.
- 17:42
>> Okay. Well, I'm glazing as the kids like
- 17:44
to say.
- 17:45
>> What's Is that what they say?
- 17:46
>> You don't know. You glazing it. Well,
- 17:47
you've got teenagers.
- 17:49
>> What do you want to know about teens? I
- 17:50
know everything. You have two boys. I
- 17:52
have two boys.
- 17:53
>> I'm I You know, I missed my window to
- 17:55
really ask about six seven. I know that
- 17:57
it's like
- 17:57
>> it's over now.
- 17:58
>> I know. I missed the window. So, I I
- 18:00
don't even care anymore.
- 18:01
>> Actually, anything that we know is over,
- 18:04
>> right? By the time it gets to like your
- 18:05
mom.
- 18:06
>> Yeah. Like if the New York Times is
- 18:07
writing about it, it's it's been over.
- 18:09
Like no one's saying it anymore, but to
- 18:12
express
- 18:12
>> I really really liked boots
- 18:15
>> like like
- 18:15
>> like instead of period boots that but
- 18:18
that's from driveway
- 18:19
>> like I'm deceased boots like
- 18:21
>> yeah like like well like period end of
- 18:24
boots
- 18:25
>> right I feel like period's still around
- 18:27
period I feel
- 18:28
>> but you're supposed to replace it with
- 18:29
boots I think. Or that's just a gay
- 18:31
culture thing. I I don't actually know.
- 18:33
>> Yeah. Um we could I have a laptop. We
- 18:36
could look it up. We could spend the
- 18:37
entire
- 18:37
>> We could ask GPT.
- 18:40
>> Hello. Do we still say boots
- 18:42
>> young culture or just gay monoculture?
- 18:47
>> But asking for a friend.
- 18:49
>> But what is it? But you're in your
- 18:50
mid30s now.
- 18:52
>> You are I bet you're starting to feel
- 18:54
just just what you just expressed, which
- 18:56
is like, oh, old.
- 18:57
>> Oh, yeah.
- 18:58
>> But it's weird, right? Cuz you're you do
- 19:00
not feel old in your one does not really
- 19:01
feel old and they're 23.
- 19:03
>> My assistant is 23.
- 19:04
>> Okay. And so like I was doing like a
- 19:06
closet clean out yesterday and she was
- 19:08
like, "Oh my god, these are like real
- 19:10
skinny jeans."
- 19:12
Like they it was like a joke. She was
- 19:15
like, "Wow, they really do go in at the
- 19:16
bottom." And I'm like and we were
- 19:18
talking about Baby Mama. And I'm like,
- 19:20
"So funny. So funny." She was like,
- 19:21
"That was probably like the first comedy
- 19:23
I ever saw." And I was like, "How old
- 19:24
were you?" Seven.
- 19:25
>> You're a millennial.
- 19:27
>> Yeah.
- 19:27
>> Like midmillennial. Like
- 19:29
>> I don't know when it begins or ends, but
- 19:31
I was born in 90. You know, there's this
- 19:33
I feel like you would like this, but
- 19:35
we'll probably cut it. But there's this
- 19:36
book that I'm obsessed with called The
- 19:38
Fourth Turning, and it's all about how
- 19:41
80 years of history just keep repeating
- 19:42
itself, and we're kind of getting at the
- 19:44
end of the chaos era, which makes sense,
- 19:46
right, for the past like 20 whatever
- 19:47
years. But it's like each generation
- 19:50
throughout the years have come forward
- 19:52
to save
- 19:53
>> like, you know, different eras from
- 19:55
peril.
- 19:56
>> And the millennials are going to be the
- 19:58
heroes in the next um the next
- 20:01
>> Good luck. That sounds so hard. I'm so
- 20:04
tired.
- 20:05
>> But I believe in you and I wish you the
- 20:07
best of luck.
- 20:08
>> I was hoping that these kids would save
- 20:10
us.
- 20:10
>> It's you guys. And I feel like that
- 20:13
makes sense because we've really, you
- 20:15
know, I'm Gen X. We everybody like
- 20:17
really gave it to millennials and like
- 20:20
rolled their eyes at how well parented
- 20:22
they were, how blah blah blah we just
- 20:24
like thought that they were. And I think
- 20:25
they're going to really show us. They're
- 20:27
going to save things. So, chop chop.
- 20:30
>> Okay. All right. Thanks so much. Yeah,
- 20:32
it is funny when you see like what
- 20:33
gentle parenting is going to
- 20:35
>> Yeah.
- 20:35
>> do.
- 20:36
>> Yeah. But okay, speaking of gentle
- 20:38
parenting, this is a good segue.
- 20:40
>> I want to get to you go from I I'm blown
- 20:43
away by the story and I I'm sure you've
- 20:45
told it before, but I just need to know
- 20:46
the details, which is Louisville,
- 20:50
>> you're on a trip to New York with your
- 20:51
mom.
- 20:52
>> Yeah.
- 20:52
>> And a guy comes up on the street and
- 20:55
says,
- 20:56
>> "Can I take my card?" Yeah. Tell us the
- 20:58
story. Well, he took Okay, I will tell
- 21:00
you the story and I just I feel like I'm
- 21:02
lying. It's an amazing story.
- 21:05
>> Okay, but it's it's it is the truth, but
- 21:06
it's just one of those I'm like a woman,
- 21:08
so I feel like I have to like apologize
- 21:10
and that I'm lying.
- 21:12
>> Um I was in New York. I'm sorry.
- 21:15
For spring break and I was watching
- 21:17
street dancing in Union Square. Wow.
- 21:19
Never seen that before. Not a lot of
- 21:21
street dancing in Louisville. Mhm.
- 21:23
>> And um a man named Daniel who is a
- 21:26
talent scout came up to to me and my mom
- 21:28
and was like, "Can I take her picture?"
- 21:30
I'm like, "A model scout." And we were
- 21:32
just like, "Cool. Okay." You know, no
- 21:34
sense of danger.
- 21:35
>> Yeah.
- 21:35
>> Uh if he had like told us to meet him at
- 21:37
a hotel room, we 100% would have.
- 21:39
>> Totally.
- 21:40
>> Um and and then he took my picture on
- 21:42
the street. Joe Jonas actually wore the
- 21:44
picture on his t-shirt at a concert one
- 21:48
time and it was the first time I had
- 21:49
seen that picture since it happened. I
- 21:50
was like, "How did Joe Jonas get it?"
- 21:52
>> Um,
- 21:53
>> that's so weird.
- 21:54
>> Weird.
- 21:55
>> I've since seen it. Um, I don't really
- 21:58
know what to do with it. I'm not going
- 21:59
to like print it out. And so then I went
- 22:03
and started being interviewed by like
- 22:04
modeling agencies and what was becoming
- 22:06
like really apparent was like if you're
- 22:07
a model, you're a model. Like if you're
- 22:09
a model,
- 22:10
>> you're traveling, you're not acting,
- 22:12
like there's no commercials, there's no,
- 22:14
you know, so somewhere in those
- 22:16
interviews, I decided that I would only
- 22:17
sign with an agency that would also let
- 22:19
me act.
- 22:20
even though it hadn't been like an
- 22:22
actual
- 22:23
>> Yeah.
- 22:23
>> Did you know any actors growing up? Did
- 22:25
you think you would do that as a job?
- 22:27
>> No, never.
- 22:28
>> Wild.
- 22:28
>> But then once it kind of like was
- 22:31
brought up as a possibility I mean I did
- 22:33
I would always watch like Hillary Duff
- 22:34
like when I got home from school and
- 22:36
then I would like
- 22:38
>> do Hillary Duff like in the mirror. So
- 22:40
it kind of all came together.
- 22:42
>> But it is really random that someone
- 22:44
came up and was like, "Hey kid, throw
- 22:45
this pitch." And you like have the most
- 22:47
amazing fast ball. You're so good at
- 22:49
acting.
- 22:50
>> Oh, thank you.
- 22:51
>> And the fact that someone was like,
- 22:52
"Hey, do you want to go do this acting
- 22:55
thing?" I mean, I guess it was through
- 22:56
modeling, but like they were like, "Hey,
- 22:58
you." I mean, it's so wild. It's It's a
- 23:01
needle in a hay stack kind of. Do you
- 23:03
think you would have pursued it if that
- 23:04
didn't happen?
- 23:05
>> I don't think so. I don't think I would
- 23:07
have been aware that that was possible.
- 23:09
Although, like being in the big city, I
- 23:10
was like, "Oh, I want to live in a I
- 23:12
want to live here. I want to live."
- 23:14
>> Yeah. Like you know when you look back
- 23:15
at your life sometimes and you see like
- 23:17
Christmas cards where people say like
- 23:19
>> you know hope you make it to New York
- 23:20
someday and you think like did you ever
- 23:22
feel like you had that version of like I
- 23:24
want to get out of Louisville. I want to
- 23:25
be go somewhere else.
- 23:26
>> Yeah. I think like when it was happening
- 23:28
I think like I mean I really wasn't
- 23:30
there for that long when I think about
- 23:31
it like 13 14. That's normally like
- 23:33
before you even start getting those like
- 23:36
>> Yeah.
- 23:37
>> So once I came back it was just like an
- 23:39
impossible fever. It was just like I got
- 23:42
to get back there. I got to do it. you
- 23:44
know, and and I had made money. I used
- 23:46
to train horses and I would babysit, so
- 23:49
I had like $3,000. And so I was like,
- 23:52
I'm getting out of here.
- 23:53
>> Let's get out of here. You trained
- 23:55
horses?
- 23:56
>> Mhm.
- 23:57
>> Wow. You proved my point that I feel
- 23:59
like women and young girls that like
- 24:01
horses usually have great hair.
- 24:03
>> Wow.
- 24:05
Always. I don't know. I have a bunch of
- 24:08
theories and one of them is that if you
- 24:10
like horses, it makes your hair grow
- 24:11
really thick. Oh my god. Because you
- 24:14
know what? A friend of mine, every time
- 24:16
she's on mushrooms thinks that I look
- 24:18
like My Little Pony.
- 24:20
>> You have fantastic.
- 24:20
>> This is for you, Rachel.
- 24:22
>> This is for you, Ray. I hope you're
- 24:26
>> mind is going to be blown.
- 24:27
>> Yep.
- 24:28
>> Um, but when I was looking at your life
- 24:30
and career and I was kind of blown away
- 24:33
by how much stuff happened so fast and
- 24:36
young in the in the years of like 19 to
- 24:38
22. Yeah,
- 24:40
>> that was a lot.
- 24:41
>> That's why I was so emotional over those
- 24:43
skinny jeans. They were my 23-year-old
- 24:45
Rag and Bones.
- 24:47
>> Yes. And that was a tender time cuz you
- 24:49
were How old what year were you? 20 201
- 24:53
>> 2012.
- 24:55
>> Cuz you did Winter's Bone, beautiful
- 24:57
movie, incredible performance when you
- 24:59
were 19.
- 25:00
>> Then you do SNL close to that time, too.
- 25:04
Like the following year, maybe.
- 25:05
>> Did I? Yeah. 20. Yeah. because it was
- 25:07
before the Oscars for Silver Linings at
- 25:11
Winter's Bone. I remember being too
- 25:13
young to drink. I did, but at the
- 25:16
Oscars.
- 25:16
>> And what were your memories of doing SNL
- 25:18
at that time?
- 25:20
>> Skewed skewed.
- 25:22
>> I've read I've read
- 25:23
>> you weren't on the cast then.
- 25:24
>> No, 2012. I had left in 20 um 2008 and
- 25:29
then by 2012 I was doing parks and
- 25:31
wreck.
- 25:31
>> Okay. I don't I think I have to I have
- 25:34
to go back and do it again because I had
- 25:36
Walking Pneumonia. I was like under a
- 25:38
lot of pressure and doing a lot and I
- 25:40
was shooting one of the Hunger Games
- 25:41
movies. I was shooting I think the
- 25:42
second one while doing all of this
- 25:44
campaign and I would have to like fly,
- 25:46
go to a party, shake hands and then land
- 25:48
and you know shoot like poor me. Um but
- 25:52
I was very tired and so I think I was
- 25:54
just I remember I was also at that bad
- 25:57
age. I don't know if other people were
- 25:58
like this at this age, but we're like,
- 26:00
you know, when you you get asked like,
- 26:02
can you do any impressions or anything?
- 26:03
And I was like, no.
- 26:05
>> Yeah. You know, like I don't want to be
- 26:07
like,
- 26:08
>> and I can do this and I can do that. I
- 26:10
just kind of made everything like
- 26:11
everybody else's problem. I was like, I
- 26:13
don't know how to do that. I can't do
- 26:14
that.
- 26:15
>> Totally. I know. And and also, I mean,
- 26:18
I've it's it's hard to be young and on
- 26:22
that show. It's just hard. But your
- 26:23
relationship to comedy, what is it like
- 26:25
now? Do you want to make more, do more,
- 26:27
direct more, write more?
- 26:29
>> I would love I I wrote a comedy.
- 26:31
>> You did.
- 26:31
>> And I would love to direct it and I'll
- 26:33
star in it.
- 26:34
>> Oh my god, you should.
- 26:35
>> Thank you.
- 26:36
>> No Hard Feelings was great. You were
- 26:38
hilarious in it. It's such a good movie.
- 26:40
>> Well, I did not write and direct that
- 26:42
one. Um although I guess I could tell
- 26:44
people that I did. I always could.
- 26:46
>> People don't they don't pay attention.
- 26:48
>> No. Um after I wrote and directed No
- 26:50
Hard Feelings, I it really got me
- 26:52
thinking.
- 26:54
But thank you. I had a lot of fun doing
- 26:56
it.
- 26:57
>> And you want to direct as well.
- 26:58
>> Yeah.
- 26:58
>> Yeah. Right on.
- 27:00
>> Yeah. Great.
- 27:00
>> I mean, everybody does, you know.
- 27:02
>> I think that's true. Like I feel
- 27:03
sometimes people are not into it, but I
- 27:05
feel like I mean, are you finding that
- 27:07
like having worked now and done a lot of
- 27:10
stuff now that you're realizing like,
- 27:12
oh, I want more control in what I what I
- 27:15
do and how I like to work.
- 27:16
>> Yeah. But I also I had my first movie
- 27:19
ever was a female director and then I I
- 27:22
actually ended up working with more
- 27:24
female directors than me male director.
- 27:26
So as a teenager it was like really
- 27:28
>> like
- 27:29
>> not formidable formidable for
- 27:31
>> yeah form formidable
- 27:32
>> forming
- 27:34
>> formidable.
- 27:34
>> It was um
- 27:36
>> farming culture for me. So that made me
- 27:39
like realize
- 27:40
>> why I got to get this word. It's
- 27:42
formidable, right? No, it's like
- 27:44
formative.
- 27:45
>> Formative,
- 27:47
>> informative.
- 27:49
>> Well, it's a formative.
- 27:50
>> What I mean is experience.
- 27:52
>> Formative. Is that what it is?
- 27:53
Formative.
- 27:54
>> Yeah. Here we go. Formative. Something
- 27:56
that relates to formation or development
- 27:58
is shaping and influencing something
- 28:00
else.
- 28:00
>> That is precisely what I mean.
- 28:02
>> Yeah, we did it.
- 28:02
>> Yeah.
- 28:04
>> Um, so it was formative that I realized
- 28:07
that that was even like possible for me
- 28:08
to do it. So I had wanted to do it since
- 28:10
I was a teenager. So then when I went
- 28:11
into movies in like my 20s and now I
- 28:13
always tell the director and then they
- 28:15
include me in a lot of them have been
- 28:17
really nice and like included me in the
- 28:19
process and let me see like post and all
- 28:21
that stuff.
- 28:21
>> What is what's important for you when
- 28:23
you work like what what's the thing you
- 28:24
like to do for example like do you feel
- 28:27
like once I'm on set I want to escape
- 28:30
and just like dive in and I want other
- 28:32
people to handle the stuff. Do you like
- 28:33
to do you like the logistics of the
- 28:36
work? You
- 28:36
>> Oh, I do like the logistics.
- 28:39
like you like a call sheet. You like
- 28:40
knowing what's going to happen.
- 28:41
>> But I think that's like that's a woman's
- 28:43
brain,
- 28:44
>> you know? It's just it's really
- 28:46
>> my producing partner and I have been on
- 28:49
sets together since we were 21 and we
- 28:52
[ __ ] up a call sheet. I mean, we and
- 28:54
when I have like a friend that's going
- 28:55
to go do something, I'm like, "Send me
- 28:56
your call sheet. I'll get you two days."
- 28:59
>> Um, we just know how to make it make
- 29:01
sense. We It's It's divine. So, I like
- 29:05
the logistics. I also I need to connect
- 29:07
and have friends immediately. Like I got
- 29:10
to dive in and find, you know, the
- 29:12
camera guys, the like I got to find like
- 29:14
who my, you know, people are going to
- 29:17
be.
- 29:17
>> It's so interesting. You got to Yeah,
- 29:18
cuz you're like we're going to be
- 29:19
>> Which is not a photo shoot,
- 29:21
>> right?
- 29:21
>> Photo shoot. I don't want you to talk to
- 29:23
me. I just want I just want
- 29:25
>> totally agree. Like I just want it to be
- 29:27
over as fast as possible.
- 29:29
>> And it's just all of it's so
- 29:30
embarrassing, you know? like put your
- 29:33
hand like this.
- 29:37
>> Or if you're considered a funny person,
- 29:39
the worst part is they're like, "We have
- 29:41
a bunch of props."
- 29:42
>> Oh, no.
- 29:43
>> We have clown shoes for you, you [ __ ]
- 29:45
clown.
- 29:46
>> Put Put on the shoes, you [ __ ] clown.
- 29:48
But it's so true. I mean, I've been in
- 29:50
many shoes where like a chill goes down
- 29:51
your spine. They're like, "Just it's
- 29:53
always a whisper." There's a bunch of
- 29:54
fun props if you want to play with them
- 29:56
at any point.
- 29:57
>> If you want to play, you look over and
- 29:58
you're like, "Oh, no. It's like a giant
- 30:01
lollipop." and a rubber chicken.
- 30:03
>> Yeah. Like that's not going to come
- 30:04
naturally to me. Like if you want me to
- 30:06
pull on the rubber chicken, I will, but
- 30:08
you have to direct me to pull on it.
- 30:10
>> And the other thing is like we have a
- 30:11
really fun idea. You have all this
- 30:12
barbecue sauce on your face. Like it's
- 30:14
always it's always like we're going to
- 30:17
humiliate you
- 30:18
>> and you're going to just
- 30:20
>> you're going to smile your way through
- 30:21
it. You're you're such a good time,
- 30:23
>> right? Okay. I know mine aren't that
- 30:25
bad.
- 30:25
>> I'm kind of shocked to hear that. I mean
- 30:27
Well, I'm not shocked. talk to me.
- 30:28
Honestly,
- 30:28
>> they're just like, "We were thinking you
- 30:29
wouldn't wear a bra for this." And I'm
- 30:30
like, "I've had two children."
- 30:32
>> And they're like, "No." They're like,
- 30:33
"But
- 30:34
>> you want me to show you something? Come
- 30:36
here. I'm going to show you something.
- 30:40
>> All your pictures are you just
- 30:41
flashing?"
- 30:42
>> Uh, yeah.
- 30:51
>> Because a good hang, we're always
- 30:52
looking for a good hang. I have
- 30:54
questions I want to ask you. I want your
- 30:56
opinion about things. Oh, okay.
- 30:57
>> I want your hot takes.
- 30:59
>> Okay. Oh, yeah. No problemmo.
- 31:01
>> I know you like to give hot takes.
- 31:03
>> Yeah.
- 31:04
>> And I want And these are important
- 31:05
things.
- 31:05
>> Okay. I got to take it easy on the
- 31:07
housewives, though. I always get I get
- 31:09
like
- 31:09
>> Okay. I'm going to tell you something
- 31:10
about I don't know that much about
- 31:11
housewives.
- 31:12
>> Okay. No, no, no. It's fine. I mean,
- 31:13
that's good. I
- 31:14
>> But you like Below Deck.
- 31:15
>> Yeah, I do.
- 31:17
>> First question. If you were on Below
- 31:20
Deck, what would you want your job to
- 31:21
be? Which which of the jobs?
- 31:22
>> A stew.
- 31:24
>> I Well, no. No, no. I would go into that
- 31:27
laundry and I'd [ __ ] that laundry up.
- 31:29
I'd put a podcast in. I'd steam. I'd
- 31:31
fold. I'd have a system. I'd have a
- 31:34
colorcoded system.
- 31:35
>> I don't even People never want to go
- 31:37
down into the laundry and below deck.
- 31:38
And it's like, why? You don't have to
- 31:39
talk to any of the people. You're there
- 31:41
by yourself.
- 31:42
>> Yeah. I'm alone. And again, I would put
- 31:44
one ear pod in. I'd listen to some
- 31:46
murder and I just [ __ ] [ __ ] that [ __ ]
- 31:48
up.
- 31:49
>> It' be so satisfying. Yeah. And also
- 31:52
doing like doing turnown would be one of
- 31:54
the most satisfying thing getting the
- 31:56
lines in the vacuum perfectly.
- 31:58
>> Do you have like are you a earth sign?
- 32:00
What's your what you've got like a um
- 32:02
>> I'm a Leo.
- 32:03
>> Oh, so okay. So you've got you but you
- 32:05
have a lot of grounded. You like
- 32:07
organizing. You like straight things.
- 32:10
Does your house meet?
- 32:12
>> Well,
- 32:14
it I mean my if you look at my bedside
- 32:16
table and then you look at my husband's
- 32:17
bedside table, mine is an explosion.
- 32:20
pills everywhere. I mean, I look like
- 32:21
I'm dying
- 32:22
>> littered with pills.
- 32:23
>> What's What is her malady
- 32:26
>> and my husband's like just a bottle of
- 32:28
water.
- 32:29
>> Yeah. Um
- 32:29
>> Okay. But you like
- 32:30
>> But I do I I get I get satisfied once
- 32:33
it's like time to clean up.
- 32:35
>> You like a good You like a good system.
- 32:37
>> Yeah.
- 32:37
>> Yeah, that makes sense to me. And then
- 32:39
Okay, another question is, do you have a
- 32:42
nickname?
- 32:44
>> Fluffin nitro
- 32:47
boobs.
- 32:50
Boobs Lawrence, the full government
- 32:52
name. Um,
- 32:56
Nitro. Yeah.
- 32:58
>> Where did Nitro come from?
- 32:59
>> My brothers, cuz I was really hyper and
- 33:01
they called me Nitro.
- 33:03
>> Um, I love that you are
- 33:04
>> Oh, and my friends call me Ken from the
- 33:07
Barbie movie cuz I'm just Ken. I think
- 33:09
it's their way of calling me stupid.
- 33:11
And whenever I ask something stupid,
- 33:13
they're like, "She's just Ken."
- 33:17
Um, your you have two older brothers.
- 33:19
>> Yeah.
- 33:20
>> And what was it like growing up like
- 33:21
with older brothers? What do you feel
- 33:23
like there's a thing that happens to
- 33:25
like what's the good part about having
- 33:27
two older brothers?
- 33:29
>> Is there one?
- 33:30
>> Um, they're I mean I I mean they were
- 33:34
great. They were really protective, you
- 33:36
know, not with themselves. They're like,
- 33:38
you know.
- 33:39
>> I mean, did it make you like tough?
- 33:41
>> Yeah, I think it made me tough
- 33:42
>> as the mother of sons. I will say, and
- 33:44
you're you're gonna eventually notice
- 33:46
this too, because you had brothers, the
- 33:49
way boys and young boys talk to each
- 33:51
other won't be as shocking. Like, you're
- 33:53
you're going to it's used to it. And
- 33:55
again,
- 33:56
>> in fact, I find myself doing
- 33:58
>> I do too. And that's kind of a love
- 33:59
language. Like,
- 34:00
>> yeah,
- 34:01
>> when I've noticed the way that you
- 34:02
interact with people that you work with,
- 34:03
it also feels like you turn people into
- 34:05
brothers. Like, it feels like
- 34:06
>> I think I do.
- 34:07
>> Josh Hutcherson was a brother. It feels
- 34:09
like Robert Patson feels like a brother.
- 34:11
Like,
- 34:11
>> yeah. Oh, you're so right. Okay. Um,
- 34:14
Doritos, your opinion?
- 34:16
>> Love them.
- 34:16
>> Me, too.
- 34:17
>> Cool. I mean, but now I'm like older and
- 34:19
I like think about like what's in it. I
- 34:21
mean, not if I'm like on a plane. If I'm
- 34:23
on a plane and I see him, I'm going to
- 34:25
>> Dorito is going to get eight, but
- 34:26
>> Yeah.
- 34:27
>> But I do think about it more.
- 34:29
>> Okay. Do you do any impressions?
- 34:31
>> No.
- 34:33
Do I?
- 34:35
No, I don't think so. H I feel like I've
- 34:38
seen you do um I feel like I've seen you
- 34:40
do um
- 34:41
>> who do I
- 34:41
>> Real Housewives impressions, but no
- 34:43
>> I have to text.
- 34:44
>> Do you want to do the game that we do?
- 34:46
We do. We do this game at SNL which is
- 34:48
it's like you like do it or die and it's
- 34:50
basically um you don't have to do it and
- 34:52
we can cut it but it's really fun to
- 34:54
play and you can do it to me too which
- 34:55
you just give someone uh a name and they
- 34:59
have to do it. I have to do an
- 35:00
impression in 10 seconds. It's doesn't
- 35:01
have to be good but if you don't do it
- 35:03
you'll die.
- 35:04
>> Okay. You ready? and Robert Janeiro.
- 35:08
>> ME.
- 35:12
YOU DID IT.
- 35:14
YOU DIDN'T DIE. ME.
- 35:19
I would love to see a recut version of
- 35:22
him. Not saying, "Are you talking to
- 35:23
me?" But just going me.
- 35:29
>> I mean, I there's I I What What's the
- 35:33
coldest day you've ever had on set? And
- 35:35
the hottest day you've ever had on set?
- 35:37
>> Coldest was
- 35:40
uh I mean I know like the real answer
- 35:41
was like you know one of the Hunger
- 35:43
Games movies where I was like on a
- 35:44
frozen lake but it was actually in
- 35:45
Calgary doing Die My Love
- 35:48
>> because it was August so it was supposed
- 35:50
to be warm and so there wasn't like
- 35:53
there weren't like warming coats or
- 35:54
anything and you know I'm just in like a
- 35:56
t-shirt or whatever and so that was
- 35:59
>> the coldest that that like broke my
- 36:01
heart like made me want to cry. This
- 36:02
proves my theory that Marty Short, You
- 36:04
did cry because you were so cold. Yeah.
- 36:06
>> Um, this proves my theory that I said to
- 36:08
Marty Short, like it's never warm in
- 36:10
Canada. Never. And it's always [ __ ]
- 36:12
freezing. And it's freezing in August.
- 36:14
Always. And Canadians pretend like, "Oh,
- 36:16
we had a really nice day." And it's
- 36:17
like, "You did not have a nice day."
- 36:18
>> No, you were very cold.
- 36:19
>> It's really cold.
- 36:20
>> Um, when you're cold and you cry on set
- 36:23
in
- 36:23
>> I didn't cry on set. I cried in my
- 36:25
trailer to Justine. She was like,
- 36:27
"What's wrong?" And I was like, "I'm
- 36:28
just feeling really cold." But I was
- 36:31
pregnant. And I just remembered.
- 36:32
>> Yeah.
- 36:33
>> Yeah. Of course I cried. I probably
- 36:35
cried every day.
- 36:36
>> Yeah. That movie seems like there was a
- 36:38
lot of tears. [ __ ]
- 36:40
>> It was fun. It was fun to like play
- 36:41
somebody. That's
- 36:42
>> fun. But you have to do some stuff, man.
- 36:44
You have to go for it in some movies
- 36:46
that I'm like, "This is hard. Screaming
- 36:48
all day. Crying all day."
- 36:50
>> All day.
- 36:52
>> Hard. But you're so blessed.
- 36:53
>> I'm blessed.
- 36:54
>> Um
- 36:55
>> me blessed.
- 36:58
>> You talking to me? The last one here.
- 37:03
>> Hottest day on set.
- 37:05
>> Hottest day on set.
- 37:07
>> Hottest time you've ever like you
- 37:08
remember working and it was really hot.
- 37:10
>> The No, I know what you mean. Um I
- 37:13
answered the first one. I obviously get
- 37:15
the put the context together.
- 37:17
>> Maybe you were thinking about something
- 37:18
more ironic.
- 37:19
>> Um I think it was the first Hunger
- 37:22
Games. Yeah, the first Hunger Games. We
- 37:24
were shooting in uh North Carolina. It
- 37:26
was humid and we had those jackets on.
- 37:28
Oh, yeah. You need to run in those
- 37:30
jackets.
- 37:31
>> Running in the jackets. Yeah.
- 37:33
>> Speaking of running, I feel like uh my
- 37:35
next question like I what I love about
- 37:36
you is how you don't feel like you're
- 37:40
competitive with other actresses and you
- 37:41
really wish for other people's success,
- 37:43
but in a foot race, who would win
- 37:45
between you and Emma Stone?
- 37:47
>> She's got like really tiny bones and I I
- 37:50
just have very thick bones. Um so what
- 37:53
does that mean for running? That's hard
- 37:54
to know cuz thinner bones. You might be
- 37:58
faster out of the gate.
- 37:59
>> I think I think if I like got a clock
- 38:02
in, I'd knock her out in like two
- 38:04
seconds.
- 38:04
>> 100%. No offense, Emma, if you're
- 38:06
listening, but there's You would
- 38:07
definitely
- 38:08
>> No, I could I mean, I could take her
- 38:10
out. If it was like a fight or a
- 38:11
wrestle, she'd stun me. Um, but running,
- 38:16
I don't know because I don't know if her
- 38:18
hollow bones give her an advantage.
- 38:20
>> Yeah. Karaoke. What's your what what's
- 38:22
your go-to?
- 38:23
>> Any man of mine? Shaniah Twain.
- 38:25
>> Hm. I just want to hear I don't know
- 38:26
that one. This This is where your
- 38:27
Kentucky comes in.
- 38:29
>> Oh,
- 38:30
>> any man of mine.
- 38:31
>> Yeah.
- 38:38
>> Look how cute she is.
- 38:41
>> I still don't know this. Oh,
- 38:43
>> but you like it, right?
- 38:44
>> To do the Woo.
- 38:45
>> Yeah, of course.
- 38:48
>> This is what a woman wants.
- 38:49
>> This is what a woman loves.
- 38:52
And a man of mine better be proud of a
- 38:54
man. Even when I'm ugly, he still better
- 38:57
love me. And I can be late for a date,
- 39:00
that's fine. But he better be on time.
- 39:03
Woo. Any man of mine say it's it's just
- 39:06
right when dress is just a little too
- 39:09
tight. And anything I bet he's to say
- 39:11
better be okay. when I had a bad hair
- 39:14
day.
- 39:17
And if I change my mind
- 39:20
a million times,
- 39:23
>> I want to hear him say, "Yeah,
- 39:27
>> yeah."
- 39:28
>> Yeah. Yeah. Like that way.
- 39:37
>> Oh my god. You're good.
- 39:39
>> I know. Really good.
- 39:44
Very good.
- 39:45
>> I love karaoke, too.
- 39:46
>> Yeah. And I'm on key.
- 39:48
>> You were on key.
- 39:49
>> Yeah.
- 39:49
>> You were Did you ever say Did you ever
- 39:51
You're a good singer.
- 39:52
>> No,
- 39:53
>> that's not true. I just heard it. I just
- 39:56
heard it.
- 39:56
>> I know you did. I know you heard it.
- 39:58
Okay. Anyway, moving on.
- 39:59
>> All right. All right. Um uh have you
- 40:01
ever been awarded a middle or high
- 40:03
school superlative? Middle school or
- 40:04
high school superlative?
- 40:05
>> Most talkative.
- 40:06
>> Most.
- 40:07
>> Two years in a row. Then third year I
- 40:09
had left. I was in New York. like you
- 40:11
got to get out of here.
- 40:12
>> Yeah.
- 40:13
>> Talked my way right out of the building.
- 40:15
>> Most talkative. Yeah.
- 40:17
>> Most talkative and most for me and the
- 40:20
three that were like cousins were
- 40:22
talkative. Um like class clown and
- 40:25
mischievous. Like they all were like
- 40:27
together.
- 40:27
>> We didn't have those. We had talkative
- 40:29
best smile cuz I remember be not getting
- 40:32
that one. Um
- 40:33
>> you were going for that one
- 40:34
>> and like No, I was going for Miss
- 40:35
Camera.
- 40:36
>> Miss what?
- 40:37
>> Miss Cammer. Camera is the name of the
- 40:39
school.
- 40:41
This is like the rural juror. The rural
- 40:44
juror. Say Miss Camera.
- 40:47
>> Camera Middle School was the name. K A M
- 40:49
M E R E R. Camera Middle School.
- 40:54
>> That's where I went to school.
- 40:56
>> Okay. Um, we kind of went over this
- 40:58
already. Horses. Yes or no?
- 41:00
>> Yes.
- 41:01
>> Okay. Um, do you do that crazy thing
- 41:04
where you insist on doing your own
- 41:05
stunts?
- 41:06
>> No.
- 41:06
>> And have you ever I feel like Okay,
- 41:09
great. Just keep that up.
- 41:11
>> Okay.
- 41:12
>> Um, best album or song of the year? What
- 41:15
are you listening to that you love?
- 41:17
>> Oh, I don't know any current music.
- 41:19
>> I once they got rid of the radio, I
- 41:21
really I didn't know. I mean, how am I
- 41:23
supposed to do know what's coming out? I
- 41:26
just have my
- 41:27
>> phone.
- 41:28
>> But what part of my phone? My phone has
- 41:29
podcast. I mean, playlist.
- 41:31
>> Do you not listen to Do you not
- 41:32
>> I don't listen to like How do you listen
- 41:34
to live music on your phone? Honestly, I
- 41:37
usually learn about new music from
- 41:40
Instagram or Tik Tok that I then go and
- 41:42
buy.
- 41:43
>> The Lily Allen I don't know when this
- 41:45
podcast is coming out in the future, but
- 41:47
the Lily Allen album dropped a couple
- 41:49
weeks ago and oh, I love it.
- 41:52
>> So good. So good.
- 41:54
>> I didn't know it was a [ __ ] palace.
- 41:56
>> And um and um Monaga Mommy.
- 41:59
>> Managa Mommy. So good.
- 42:01
>> So good.
- 42:01
>> Yeah. And tennis. Tennis might be my
- 42:03
favorite song from the album. So so
- 42:05
talented. I feel like this I I was just
- 42:07
saying to someone like I feel like the
- 42:08
pop stars like they're just the female
- 42:11
pop like they're just dominating in
- 42:13
every area.
- 42:14
>> I know. Charlie XCX is so cool.
- 42:17
>> I know. Do you know her? I feel like you
- 42:19
guys would hang out.
- 42:20
>> I don't know her. I mean, would she hang
- 42:22
out with me? I don't know. I don't know.
- 42:24
>> She would just call her up.
- 42:25
>> I will.
- 42:27
>> Okay. So, let me talk about um your
- 42:29
movie Die My Love, which looks amazing.
- 42:31
And you once again like you're if I
- 42:34
haven't made it clear, you're so good at
- 42:36
acting.
- 42:37
>> Thank you very much. That's really
- 42:38
really nice.
- 42:39
>> And you really are doing the thing
- 42:40
you're meant to do.
- 42:41
>> Thank you. Yeah.
- 42:42
>> And do you feel that?
- 42:43
>> Mhm. Yeah. Yeah. Definitely.
- 42:45
>> Do you feel like was there ever a time
- 42:46
when you thought I there there's
- 42:48
anything else I would want to do? It
- 42:49
just feels like
- 42:50
>> Every time I'm on a press store,
- 42:53
>> you're like, you know what? I don't
- 42:54
think Yes.
- 42:58
>> Yeah. Yeah. It it just doesn't feel like
- 43:01
how does anybody like
- 43:04
>> But do you feel like when you get on set
- 43:05
do you feel or when you're work when
- 43:07
you're really in the work you feel super
- 43:09
relaxed?
- 43:10
>> Yeah.
- 43:10
>> Totally.
- 43:11
>> Yeah.
- 43:12
>> Yeah. I mean it's like it's hard and
- 43:14
you're tired and you know you'd rather
- 43:16
be like home.
- 43:17
>> Yeah.
- 43:17
>> But um
- 43:18
>> but you're like Yeah. So
- 43:20
>> this process seemed really cool. Lynn
- 43:23
and Robert seemed like you guys, Lynn
- 43:25
Ramsey, the director, it seemed like you
- 43:27
three
- 43:28
>> had some kind of way of working that
- 43:30
seemed really creative and cool. Was
- 43:32
that true?
- 43:32
>> Yeah, it was cool cuz Lynn and I talked
- 43:34
about it for like years before we like
- 43:36
really had a script.
- 43:38
>> So, I felt like
- 43:40
>> we had had so many conversations like
- 43:42
about this person and about her
- 43:43
circumstances that by the time we got
- 43:45
there, there was just like a lot of
- 43:48
freedom that was like kind of scary,
- 43:50
>> you know, like like an improv type of
- 43:54
situation where it's just like go.
- 43:56
>> It's kind of like under what terms, what
- 43:59
circumstances, but um but it was really
- 44:02
really fulfilling. I was like
- 44:04
challenging in a nice way.
- 44:05
>> And you're playing somebody who's kind
- 44:07
of like descending into
- 44:11
>> madness.
- 44:12
>> And do you when you when you're playing
- 44:14
something like that, do you track,
- 44:16
you know,
- 44:18
are you always trying to figure out like
- 44:19
where is she at in this scene? like how
- 44:22
far has she gone?
- 44:24
>> Kind of. I thought that I was going to
- 44:26
have to do that a little bit more, but
- 44:28
it ended up just being like finding the
- 44:31
truth of what she was saying like in the
- 44:33
moment, which I think sometimes it
- 44:35
didn't end up being as
- 44:37
>> um I don't know, like crazy as I
- 44:41
thought. But the costumes helped with
- 44:43
that because I think they like move from
- 44:45
a different place and so they at first
- 44:48
she dresses really differently and
- 44:50
sticks out and then as she stays there
- 44:52
she starts to blend in with the
- 44:54
community and so that was a good way
- 44:56
that I could mark kind of like where the
- 44:57
head my head space would be.
- 44:59
>> That's a that's very cool idea, right?
- 45:01
That you're realizing I'm wearing this
- 45:04
this pair of pants which reminds me that
- 45:06
I'm in this space. for like 8 months.
- 45:09
>> And it's kind of getting back full
- 45:11
circle to what we're talking about
- 45:12
clothes. Like I do feel like clothes,
- 45:13
like there are certain outfits, for
- 45:15
example, that I wore during co that I
- 45:17
cannot wear again because they just
- 45:20
>> Oh, because of co Oh, it's like when you
- 45:21
wear like work pants and then they get
- 45:23
ruined cuz they're work pants.
- 45:25
>> Or you get broken up with in a shirt and
- 45:27
you can never wear it again. Like
- 45:28
clothes hold some memory.
- 45:30
>> Yeah.
- 45:30
>> Yeah.
- 45:31
>> But you got to just get them right out
- 45:33
of there.
- 45:34
>> You got to get them out of there.
- 45:35
>> Yeah.
- 45:35
>> Um Okay. We've mentioned your producing
- 45:38
partner Justine a few times.
- 45:40
>> We have.
- 45:41
>> You have? You've mentioned her twice.
- 45:43
>> Oh my god.
- 45:43
>> Yeah. And she's like your best like a
- 45:46
really longtime friend. Tell us about
- 45:48
her.
- 45:48
>> She's Yeah. My best friend. Um we met
- 45:52
right after I did Winter's Bone. So I
- 45:54
was 19.
- 45:55
>> Um and we fell in love with movies. We
- 45:59
we like read together. We like
- 46:02
discovered Walt Whitman together. Um, so
- 46:05
it was like so we like I think our like
- 46:09
consciousness like woke up together and
- 46:11
and we were like and
- 46:13
>> she was always like she was my like
- 46:16
roommate when I started getting really
- 46:18
famous and she was really
- 46:20
>> I think I credit her a lot with like why
- 46:23
I didn't start kind of
- 46:25
>> getting too big for my britches or
- 46:26
anything cuz everything was really real
- 46:28
with her and
- 46:30
>> um and she's just I'm really lucky to
- 46:33
have her. I feel really um I love her a
- 46:37
lot. I feel loved by her. I trust her
- 46:39
completely. I trust her taste. She's
- 46:41
also a really hard worker. She likes
- 46:43
hard work.
- 46:44
>> So, um yeah, I'm really lucky. I
- 46:47
wouldn't normally recommend working with
- 46:48
friends, but in our case, it's worked
- 46:50
out nice.
- 46:51
>> You guys started a production company,
- 46:53
Excellent Cadabber.
- 46:54
>> Yeah.
- 46:54
>> You produced
- 46:55
>> about six or seven years ago. a bunch.
- 46:57
You You've been working together for a
- 46:59
long time and your company's produced a
- 47:01
bunch of amazing films, including
- 47:03
Causeway, which I think was one of my
- 47:06
most favorite things I've ever seen you
- 47:07
do. I love that movie. So good.
- 47:10
>> Thanks.
- 47:10
>> Um, for people who haven't seen it,
- 47:12
check it out. It's you and Brian Henry.
- 47:14
>> Brian Tyrie Henry, incredible. Um, from
- 47:16
Atlanta and many other things.
- 47:18
Incredible actor. And you two play vets
- 47:22
who are kind of physically and
- 47:23
spiritually struggling. Um, and back
- 47:26
home and it's such it's such a good and
- 47:29
Laya is an amazing Yeah.
- 47:31
>> director.
- 47:31
>> Laya Nugabower. It was her first film,
- 47:33
but she's a big theater director and
- 47:34
she's great. Sorry, the inside of my ear
- 47:36
is itchy. Is this gross?
- 47:37
>> No, but you know, itchy ears are a sign
- 47:39
of pmenopause. So, CONGRATS.
- 47:45
>> CONGRATS, BABY.
- 47:46
>> We'll cut that.
- 47:47
>> Oh, no. We'll double that.
- 47:49
>> We're going to make it really Yeah.
- 47:52
We're just like the preview.
- 47:53
>> We're going to we're going to underline
- 47:55
it with
- 47:55
>> We're here with Perry Menopause sufferer
- 47:57
Jennifer Lawrence.
- 47:59
>> I always thought that would be a good
- 48:00
drag name by the way is Perry Menopause.
- 48:01
>> Oh, it is. That really is.
- 48:05
>> But anyway, we talked to Justine.
- 48:07
>> You did?
- 48:08
>> Yes.
- 48:08
>> Oh, because we do this thing where we
- 48:11
have people talk about our guests and
- 48:13
like talk well behind their back and
- 48:14
give me a question to ask them. And I
- 48:16
talked to Justine today.
- 48:17
>> I should have kn I listened to this
- 48:19
podcast. I don't know why I'm so like
- 48:20
beside my I'm surprised. What did she
- 48:22
say?
- 48:24
>> She had a really good question, I
- 48:25
thought, which was basically like, "What
- 48:27
do you want to talk about?" She was
- 48:28
like, "Ask Jen what she wants to talk
- 48:32
about and what she's sick of talking
- 48:34
about."
- 48:34
>> Oh, I thought I know. I thought that was
- 48:36
a good friend question.
- 48:38
>> I'm sick of talking about the movie.
- 48:40
>> Yeah, great.
- 48:40
>> Um, we won't we're going to cut it out.
- 48:43
And I want to talk about
- 48:48
>> What have we not talked about that you
- 48:49
want to talk about?
- 48:49
>> Oh, I think we've covered every We've
- 48:51
talked about things that I would have
- 48:52
never known that I wanted to talk about
- 48:54
that I wanted to talk about.
- 48:55
>> Yeah.
- 48:56
>> So, I don't I can't answer it.
- 48:58
>> Okay.
- 48:59
>> Okay.
- 49:02
>> Well,
- 49:05
um, what do you listen to, watch? What
- 49:08
do you What makes you laugh? How do you
- 49:10
get yourself up up the elevator?
- 49:13
>> Well, you make me laugh.
- 49:14
>> Thank you.
- 49:15
>> Um, you're on my algorithm a lot and you
- 49:18
and Tina um and you guys hosted
- 49:21
>> a Golden Globes that I was at and you
- 49:23
were the funniest people I've ever seen
- 49:26
in my life. You made me proud to be a
- 49:29
woman. Was that when we said that um
- 49:33
American Hustle was
- 49:36
the title of the original title at the
- 49:39
wig factory?
- 49:42
>> Yeah.
- 49:43
>> But what Okay. But what do you listen to
- 49:45
read watch? Who makes you laugh?
- 49:48
>> Um I watch VEP.
- 49:51
>> Oh yeah. So we interviewed Julia
- 49:54
recently.
- 49:55
>> You did?
- 49:56
>> I I called her the LeBron James of
- 49:59
comedy. She's won so many championships
- 50:01
with different teams and she rejected
- 50:03
that.
- 50:04
>> She wouldn't she wouldn't accept that
- 50:06
title.
- 50:06
>> That's so her. I mean, what if she was
- 50:07
like, "Thank you." I know.
- 50:10
>> Um, yeah, she's she's a hero of mine.
- 50:14
Um, I love Modern Family.
- 50:16
>> Mhm.
- 50:16
>> Um,
- 50:17
>> are you like a true millennial and you
- 50:19
watch things that you've watched before
- 50:20
just to like go to sleep?
- 50:22
>> Yeah.
- 50:22
>> Yeah.
- 50:23
>> No, I'm Gen Z and I I don't know what
- 50:25
they do.
- 50:25
>> And you just love your clothes online.
- 50:27
>> Kiss your robot and sell your clothes.
- 50:29
Yeah. Yeah.
- 50:30
>> Well, um I mean I feel like we covered
- 50:32
so much good stuff.
- 50:33
>> Yeah.
- 50:34
>> I feel great about this interview.
- 50:35
>> I do too. I can't wait for it to come
- 50:37
out.
- 50:39
>> I'm going to be the first to watch it.
- 50:42
>> Last question is I know you do like a
- 50:44
lot of reality TV. What show would you
- 50:47
want to be on of all of them?
- 50:48
>> Well, I I mean want to be on them. I
- 50:52
guess the Kardashians cuz then I'd be
- 50:54
like on a private plane going to like
- 50:56
Fiji. Like
- 50:58
>> that's true.
- 50:59
Because the other ones like they're not
- 51:01
they're not like having a good
- 51:03
>> Yeah. Like there's no comfort.
- 51:04
>> Yeah,
- 51:05
>> you're right. You're right. Maybe.
- 51:07
Maybe. Yeah, cuz you just mentioned
- 51:08
Amazing Race and I feel like sometimes
- 51:11
there's like a little part of me that
- 51:12
thinks I would
- 51:13
>> I tried to go on Bear Grills.
- 51:15
>> You did?
- 51:17
>> Let you No, I What happened was I was
- 51:19
like I was determined to do it. Um I
- 51:22
ended up getting pregnant
- 51:24
>> and I but I was still going to do it and
- 51:26
then I texted my OB/GYN. I was like,
- 51:28
"Hey, so I'm going to be doing Bear
- 51:29
Grills on like the 17th. Is there
- 51:31
anything I should like tell them?" And
- 51:33
he was like, "You're not doing that."
- 51:35
I was like, "Oh." And then I just after
- 51:37
>> Do you know the show alone? Have you Are
- 51:39
you
- 51:39
>> I love Alone. Oh my god. Building the
- 51:43
the fortresses, building the cabins. H
- 51:47
isn't building the houses. Isn't that
- 51:49
the part that you want to do the most?
- 51:50
And and if I may,
- 51:52
the amount of energy that people build
- 51:54
on their houses is fascinating cuz some
- 51:57
people you're like, "You're going to get
- 51:58
way too tired. This house is too nice."
- 52:00
>> Yeah. They're burning a lot of calories.
- 52:01
>> Burning a lot of calories.
- 52:02
>> Other people, it's like you're sleeping
- 52:04
under a tarp for 6 weeks. Like you got
- 52:07
to get your house together. Like what's
- 52:08
wrong with you?
- 52:08
>> I know.
- 52:09
>> The in between of that is fascinating to
- 52:11
me.
- 52:11
>> Yeah. The bugs. It was really satisfying
- 52:14
when you're a guy white man didn't um
- 52:18
bring a fire starter cuz he was just
- 52:20
like I can do it.
- 52:21
>> I saw that one. That was
- 52:22
>> really satisfying.
- 52:25
>> Sean Freud, if you will.
- 52:28
>> I also love the men that that come on
- 52:30
really strong and immediately like twist
- 52:33
an ankle.
- 52:34
>> Yeah, I do love that.
- 52:35
>> Or the other thing that takes them down
- 52:37
their stomachs.
- 52:38
>> I'm surprised that they don't have them
- 52:40
just go with Cypro. that like cypro
- 52:43
isn't just like in there.
- 52:44
>> Maybe they do. Maybe they
- 52:45
>> I don't think they do. Seems like they
- 52:47
do.
- 52:47
>> The the diarrhea.
- 52:49
>> They get diarrhea immediately.
- 52:52
>> Immediately.
- 52:54
>> I need diarrhea immediately.
- 52:57
>> But they im and and men are just they
- 53:00
cannot handle when they when they don't
- 53:01
feel good. They just everything falls
- 53:03
the [ __ ] apart. So they're just like I
- 53:05
don't feel good. And you're like,
- 53:06
>> "See you later, dude." And the women are
- 53:08
just weaving baskets and staying there
- 53:10
for a 100 days. Yeah.
- 53:12
>> Anyway, Jennifer Lawrence,
- 53:13
>> thank you.
- 53:14
>> Thank you for coming.
- 53:15
>> Thank you for having me.
- 53:16
>> Thank you for spending time here today.
- 53:18
>> I think if any I've overstayed my
- 53:19
welcome.
- 53:20
>> If you want any food from the
- 53:21
background,
- 53:21
>> what if I just grabbed your favorite? I
- 53:23
JUST GRABBED THE TOP AND WAS LIKE,
- 53:25
"THANK YOU. BYE."
- 53:29
>> Thank you so much, Jennifer Lawrence.
- 53:31
That was so fun. And um and thanks for
- 53:34
being here. And you know, for this Polar
- 53:36
Plunge, I always like to dig a little
- 53:38
deeper on something that we spoke of in
- 53:40
the podcast. And I would just highly
- 53:41
recommend that you watch Causeway. It's
- 53:43
such a great film. Jennifer is so good
- 53:46
in it. Brian Tyrie Henry is so good in
- 53:49
it. An incredible actor. Um directed by
- 53:52
Laya Noaber. And it's just really really
- 53:55
good. Um it's just a I don't know. I
- 53:59
just loved it. I think you will too.
- 54:01
Check it out. Thank you for listening.
- 54:03
Please come back soon. Bye.
- 54:07
You've been listening to Good Hang. The
- 54:09
executive producers for this show are
- 54:10
Bill Simmons, Jenna Weiss Berman, and
- 54:12
me, Amy Polar. The show is produced by
- 54:14
The Ringer and Paperkite. For The
- 54:16
Ringer, production by Jack Wilson, Cat
- 54:18
Spalain, Kaia McMullen, and Alia
- 54:20
Xanerys. For Paperkite, production by
- 54:23
Sam Green, Joel Levelvel, and Jenna
- 54:25
Weiss Berman. Original music by Amy
- 54:27
Miles.
- 54:30
really good. Hey